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SPACES ARE THE NOISES YOU CAN SEE

ATA2018

The project is born of reflection on the current and future situation of the cities, what is truly real versus the artificial and the quality of the stimuli to which we are exposed in our day to day.
We live in two-dimensional cities whose soundtrack are cars. Cities that are loosing their identity, where the visual monotony reigns. Where real stimuli are ceasing to exist by forcing us unconsciously to look for it through technology, something totally artificial and far from our nature.
To this end, a system is created that is capable of moving to other parts of the city, activating them as an “urban acupuncture”, a temporary system that returns the protagonism to musician and music, through a stage space.


The project is born of reflection on the current and future situation of the cities, what is truly real versus the artificial and the quality of the stimuli to which we are exposed in our day to day. We live in two-dimensional cities whose soundtrack are cars. Cities that are loosing their identity, where the visual monotony reigns. Where real stimuli are ceasing to exist by forcing us unconsciously to look for it through technology, something totally artificial and far from our nature. To this end, a system is created that is capable of moving to other parts of the city, activating them as an "urban acupuncture", a temporary system that returns the protagonism to musician and music, through a stage space, whose urban legacy once disassembled is a lung for the citadel. Those forgotten places of Madrid are the disjointed notes of a symphony, creating a score we will be able to change the city soundtrack.



The Board:
SPACES ARE THE NOISES YOU CAN SEE Board

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